Степанова, Анна Аркадьевна2018-01-052018-01-0520172083-5485http://ir.duan.edu.ua/handle/123456789/615In article the problem of a film adaptation of a literary work in a context of a cultural transfer theory is investigated. On a material of the Soviet film adaptation of A. Conan Doyle’s story The Hound of the Baskervilles is analyzed process direct and inversive as- signments of other culture elements, which result becomes introduction in use of con- cepts “Russian Sherlock Holmes”, “Russian England”. The strategy of game realized in game behaviour of characters, has allowed the Soviet director to pass the parodical- ironic tone, inherent in the Victorian epoch. Created by the Soviet director in The Hound of the Baskervilles an image of Russian England and the Russian Englishmen-heroes who have taken roots in Russian national cultural ground, the initial English culture has appre hended as own, durably identifying Konan Doyle`s characters with Russian actors – V. Livanov, V. Solomin, N. Mikhalkov, etc.otherадаптация фильма, литературная работа, неоромантическая история, легенда, культурный трансфер, первичная культура, восприятие культурыArticle