Повесть «Собака Баскервилей» А. Конан Дойла и ее киноверсия И. Мас- ленникова в контексте теории культурного трансфера
| dc.contributor.author | Степанова, Анна Аркадьевна | |
| dc.date.accessioned | 2018-01-05T13:03:18Z | |
| dc.date.available | 2018-01-05T13:03:18Z | |
| dc.date.issued | 2017 | |
| dc.description.abstract | In article the problem of a film adaptation of a literary work in a context of a cultural transfer theory is investigated. On a material of the Soviet film adaptation of A. Conan Doyle’s story The Hound of the Baskervilles is analyzed process direct and inversive as- signments of other culture elements, which result becomes introduction in use of con- cepts “Russian Sherlock Holmes”, “Russian England”. The strategy of game realized in game behaviour of characters, has allowed the Soviet director to pass the parodical- ironic tone, inherent in the Victorian epoch. Created by the Soviet director in The Hound of the Baskervilles an image of Russian England and the Russian Englishmen-heroes who have taken roots in Russian national cultural ground, the initial English culture has appre hended as own, durably identifying Konan Doyle`s characters with Russian actors – V. Livanov, V. Solomin, N. Mikhalkov, etc. | uk_UA |
| dc.identifier.issn | 2083-5485 | |
| dc.identifier.uri | http://ir.duan.edu.ua/handle/123456789/615 | |
| dc.language.iso | other | uk_UA |
| dc.publisher | Polilog. Studia neofilologiczne. – Słupsk: Wydawnictwo Naukowe Akademii Pomorskiej w Słupsku, 2017. – № 7. – S. 165-176 | uk_UA |
| dc.relation.ispartofseries | ;1 | |
| dc.subject | адаптация фильма, литературная работа, неоромантическая история, легенда, культурный трансфер, первичная культура, восприятие культуры | uk_UA |
| dc.title | Повесть «Собака Баскервилей» А. Конан Дойла и ее киноверсия И. Мас- ленникова в контексте теории культурного трансфера | uk_UA |
| dc.type | Article | uk_UA |
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