Interdiscursivité et intertextualité dans Brèves De Solitude et La Pleurante Des Rues De Prague de Sylvie Germain.
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Дата
2025-12-02
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Видавець
Alfred Nobel University
Анотація
The article is dedicated to the studies of interdiscursive and intertextual relations in the literary works by Sylvie Germain Brèves de solitude and The Weeping Women on the Streets of Prague.
The goal of this research is to distinguish the types of intertextemes and interdiscursemes and to determine their co(n)textual (linguistic and / or situational) functions in the considered novels, to analyze their interference in the interdiscursive and intertextual referential networks with a view to create a polyisotopic text and to define polyphonic relationships between the extra- and intradiegetic protagonists.
The methods of polyphonic and referential analysis help to prove that homo- and heterodiegetic characters act on intra- and extradiegetic levels of the narration creating and ramifying intertextual and interdiscursive referential networks with the aim to form a hierarchical intertextual and interdiscursive polyisotopy: the anticipatory and iterative interdiscursemes (fragments of novels, poetic stanzas, quotat ions, song lyrics, film scenes, сounting rhymes, legends, biblical dogmas, etc.) include intertextemes (titles of books, articles, films, names of writers, painters, philosophers, national heroes, victims of concentrat ion camps, gods, fictional characters from books, cartoons, mythical beings, name of a virus etc.) of three types, which do not break the intratextual coherence, taking immediate, distant pre- and post-textual, immediate and distant post-textual position:
1) intertextemes maintaining meronymy – holonymy relations with interdiscursemes;
2) semantically and / or syntactically “superfluous” intercalations in interdiscursemes of the texts recipients;
3) “alien” objects, beings, abstract notions.
They intertwine and interpenetrate in the form of microthemes or microthematic chains developing the hypertheme of the analyzed works and the macrothemes of their chapters.
Linguo-stylistic and interpretative analyzes show that in order to create a global intertextual and interdiscursive space Sylvie Germain implements four ludic strategies: subjective perception, reminder, explanation / elucidation, obligation : a) pseudoobligation (the actualized intertextual referent is assumed to be known by all readers, and therefore its identification does not require a great cognitive effort) ; b) attenuated obligation (a single non-elucidated intertexteme is present in a textual fragment accompanied or not by referential markers helping the receiver to some extent to identify it) ; c) strong obligation (a series of intertextemes co(n)textually non-elucidated or accompanied by allusive, vague referents, complicating the correct interpretation of a textual fragment) which complement each other and interfere controlling and guiding readers’ perception of the play of correspondences and of semantic-syntactic relationships between concrete texts and / or their fragments allowing them to identify the components of referential networks and to correctly interpret discursive formations containing interdiscurseme + intertexteme pairs.
Опис
Ключові слова
authorial ludic strategies, hetero- and homodiegetic characters, interdiscurseme, interdiscursivity, intertexteme, intertextuality, polyisotopy, referential network, авторські ігрові стратегії, гетеро- та гомодієгетичні персонажі, інтердискурсема, інтердискурсивність, інтертекстема, інтертекстуальність, поліізотопія, референційна мережа